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Tuesday, September 19, 2017

Promoting Bands Part 13



Hey metalheads \m/

Got a new part of Promoting Bands for you, hope you enjoyed the earlier parts!
If you haven't checked those, be sure to do so at the following links:

Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Part 10
Part 11
Part 12

And remember: be sure to send us an email, Facebook or Twitter message if you want to be featured in the next part of Promoting Bands!

Enjoy!

Tim van Velthuysen

1. Prismind


We already reviewed their debut album Disciples By Design here, made a live review about one of their gigs here and interviewed them here. Of course, I am talking about Prismind! Recently, they released a video for Our Broken Fate, coming from Disciples By Design, you can check that video below. This is a band that is worth checking out for sure!



Prismind Official Website
Prismind Facebook
Prismind Twitter

2. Royal Jake


Three Belgian guys, Arjen van Acker, Kjell de Raes and Peter de Bondt, together they are the metalcore band Royal Jake. In November last year we already reviewed their EP Retaliate/The Answer, which you can check here. Now, they just released a video for the titletrack of that EP, it is below if you want to check it. Great job guys!



Royal Jake Facebook

3. Vetrar Draugurinn


In this part of Promoting Bands we have three Dutch bands for you. The first one is Vetrar Draugurinn, which is Icelandic for The Winter Ghosts. Vetrar Draugurinn is the band of former Stream Of Passion guitarist Eric Hazebroek, Autumn vocalist Marjan Welman, former All For Nothing drummer Jim van de Kerkhof who are recently joined by former Acrid bassist Arjan Heijden and Ancient Rites guitarist Thomas Cochrane. At this moment they only released one EP, titled I (One), which you can listen to below, but they are currently working on their debut full-length. So, be sure to follow Vetrar Draugurinn and get siked for their upcoming album!



Vetrar Draugurinn Official Website
Vetrar Draugurinn Facebook
Vetrar Draugurinn Twitter

4. Savage Messiah


Savage Messiah, coming from the UK, already made three great albums. The Fateful Dark is their latest full-length to date, but more Savage Messiah material is on its way! In October they will release Hands Of Fate, their new effort! Below is the video of the title track for you to check out. I already interviewed Savage Messiah a while ago, when DutchMetalManiac was only 2 months old. Check my interview with them here.



Savage Messiah Official Website
Savage Messiah Facebook
Savage Messiah Twitter

5. Tsar Stangra


Bulgarian black metallers Tsar Stangra formed in 2007, now in 2017 they celebrate their ten-year existence with their full-length debut. Небесният ковач, as it is titled, was released in May. Небесният ковач is an album full of great atmospheric black metal combined with some Bulgarian folk elements, a very nice combination which is also very well executed. The video of Небесният ковач's titletrack can be seen below!



Tsar Stangra Facebook

6. WildHeart


Now, it's time for the second Dutch band in here. I already mentioned another project from the mastermind behind WildHeart, John B. Jones, earlier. In part 7 of Promoting Bands I mentioned his Wheezy John B. project, read it here. Now, he is back! His fourth release of 2017 is with his WildHeart project and is called The WildHeart EP. You can listen to this extremely heavy EP below and be sure to follow him if you dig it!



WildHeart Facebook

7. From North


Dig folk metal? This next band is for you! The Swedish metallers From North recently dropped their their self-titled debut album and it's great folk metal. Below you can watch their videoclip for the titletrack. These folk metallers sound like they can be the next folk metal sensation and can easily be mentioned alongside Ensiferum and Korpiklaani.



From North Official Website
From North Facebook
From North Twitter

8. Dopethrone


Wow, this is heavy as fuck! After their four full-lengths (Demonsmoke, Dark Foil, III and Hochelaga) and their split with fellow sludgers Fister they released their latest effort, an EP called 1312, in August last year. If you dig sludge, heavy doom, stoner or anything relatable you have to check Dopethrone. It's an amazing band and if you dig 1312, which you can listen to below, I surely recommend you to check their other releases too!



Dopethrone Facebook

9. Acrid


Next is the third, and last, Dutch band for now. It's about Acrid, five guys from The Hague whose latest effort is an EP released in 2014. Below you can watch their recently uploaded lyric video for Afterburner, which is a track from that 2014 EP. However, Acrid is working on new music which is planned for release in early 2018. So for now, enjoy Afterburner, and if you dig it be sure to check their other material as well and get siked for their early 2018 release!



Acrid Facebook
Acrid Twitter

10. Isolated Antagonist


Latest band in this part of Promoting Bands is the band of Nate Exx Gradowski and Glen Mitchell. Together they are the sci-fi metallers from the USA, Isolated Antagonist! Since they formed in 2014, they already released two full-lengths, The Isolated And The Antagonist (2015) and Affirmation Of Entropy (2016), and an EP, Engineered Audio Hallucinations (2015). In August they dropped a new track, called Binary Decisions, which you can listen to below. It's a great track in which Christian Olde Wolbers takes care of bass duties, besides Nate and Glen.



Isolated Antagonist Facebook
Isolated Antagonist Twitter

Monday, September 18, 2017

Review: Selbst - Selbst


From the opening strums, Of Solitary Ramblings, I am finding a solid like of this so called “black/death metal” genre. This 2-person ‘group’ (I still can’t fathom this, but ‘da hell with it) hailing from Chile, via Venezuela does a damnable fine job at presenting this material.

Intricate guitars and playing make this malevolent maelstrom of utter despair and voidness of hope…nice. Even Visions Of Mankind Withering crank out a ferocious tempo that makes the end of the world seem like a Saturday afternoon cartoon review. Hammering, soulful wilting guitars are the backbone of this one and it’s actually easy listening at over six minutes.

Another 9+ minute opus, Instrument Of My Own Destruction is alright in title, but seems to lose it for me amidst the steady stream of strumming and grunge-overtones.

Wandering through grief as I hear Wandering Through Grief, I’m reminded of a dark, plodding walk I had in a torrential downpour the other week and had this machine gun fire guitar and helpless sounding vox been playing that night, I would’ve been happy. Easily my favourite, this reeks of soulless rapture and true, hardcore death metal. Outstanding!

Despised And Forgotten…not forgotten! Excellent tune, good drums and chorus changes and well deserved of the title! Ha!

Finally, loosely translated as Neat Skullcap (love it! Only in death metal can you get this stuff), Nefasto Calvario is a dim, dark, death ridden drop of constant strumming and some barely audible drums. A vox n’ vigour piece, it’s not hard to listen to, even at 7+ minutes.

Quite good!

8/10

Written by Alessandro

Selbst Official Website
Selbst Facebook

Sunday, September 17, 2017

Review: Crafteon - Cosmic Reawakening


A neat group hailing from Denver, Colorado, the band here introduced as Lord Mordiggian (Guitar/Vocals), Fthaggua (Lead Guitar), Ithaqua (Bass) and Rhagorthua (Drums), present an interesting take on the works of H.P. Lovecraft (hence the bands’ name), apparently and masterfully written near verbatim and set to some drudging, death enveloping music.

Being born on a full moon, I immediately went to What The Moon Brings to see…what it would bring. An excellent beam of powerful vox and nicely balanced music set in a dark netherworld, that’s what! An outstanding piece that is sure to please any metaller, death, black or otherwise.

Setting the tone for me for the rest of the album, I listened at a lower-than-11 volume for the neighbors’ sakes and found the right vibe for this lively yet brooding, dark yet full of light disc.

Some pleasant Rush-ish (!) strums in the first 00:25 of Dagon and the song took off with some massive riffing at the 3:33 mark. Great stuff here!

Skillfully navigating the pages of H.P. Lovecraft is no easy feat and even more so, setting these pieces to music of your own doing. Lord Mordiggian does a superb job and one will need liner notes (yea!) to follow the lyrics and make good sense of them.

The music stands on its own and is masterfully done by the current troupe. There is very intricate playing and changes to suit the splayed writing of Lovecraft (in this view). Fashionable attire and a cool, unified, foreboding look also helps sell this feature presentation!

Of course, check out their Bandcamp and FB for more information, but listen and buy the music first!

9/10

Written by Alessandro

Crafteon Facebook

Saturday, September 16, 2017

Review: Bereft Of Light - Hoinar


Cascadian Metal. This is a new one on me as since this one man band hails from Romania and The Cascades are a mountain range from British Columbia, Canada through Washington, Oregon and finally Southern California. I’m just going to concentrate on the music not the self-styled attempt at creating or influencing a ‘genre’. It’s all filed under ‘M’ for metal in my cabinets.

Daniel Neagoe, “The Player” I’ll call him, introduces Hoinar, Googly translated as Wanderer in a well-produced, clear and seemingly introspective foray into the music world, not the C-World, with an awesome musical intro of Uitare (Oblivion). It sounds and feels like it indeed. Well done and it might just make my ringtones!

Legamant (Covenant) is a 12+ minute opus with plucking strings and thunderstorms punctuated with harsh vocals and super-fast drumming. A definite experimentation into something here and, at a lower volume, I can deal with it.

Pustiu (Wilderness) is an entirely acoustical sounding piece, soft and gentle reminding me of the true wilds of my hometowns in Northern Ontario. I have pictures in mind that this music would suit perfectly. This would be a pleasure to see live.

Freamat (Thrill), a 10+ minute foray into “methodical metal” (my name for it) stings the heart with nice vocals and harmonies, deftly mixed with expert playing and good sound. I am thrilled for this tune actually, pleasantly surprised!

Tarziu (Later), appropriately at the end of the record, is a somber, mellow bit that has some vocal range that bellows out over the Cascadian Ranges, especially at 01:40. More black or death metal here, it is an excellent creation, aside from a small tempo-dip at 3:33 that sounded unintentional and offbeat to me.

A good opus!

9/10

Written by Alessandro

Bereft Of Light Facebook

Friday, September 15, 2017

Review: Blackfinger - When Colors Fade Away


Blackfinger is a doom rock/metal band hailing from Pittsburgh, USA. If the band’s name does not ring a bell, which isn’t all that strange, I’m sure its frontman’s name definitely will. The mastermind behind this in 2012 founded band happens to be none other than former Trouble vocalist Eric Wagner, who is renowned for his characteristic voice, pretty much Trouble’s trademark for many years. He put together a relatively unknown group of musicians to materialize Blackfinger and managed to release a solid self-titled debut in 2014. That line-up was short-lived though, because nowadays none of them remains a member of the band. Save Eric Wagner of course. He teamed up with fellow doom-celebrity and Penance- and Dream Death guitarist Terry Weston to form the new backbone of the present day Blackfinger. The new line-up is completed by Matthew Tuite on guitar, Matthew Cross on bass and David Snyder on drums, again pretty much unknown musicians. The band’s aptitude test comes in the form of a new album to be released later this month called When Colors Fade Away. The title is not chosen randomly, it was thought up by Eric when he was listening to his debut Blackfinger shortly after completing it. The main concept of that album was the feelings various colors conjured up, making it a logical step wondering what it would be like when there are no colors anymore, which can be translated into real life as the loss of all hope.

With a title like this you’re bound to be heading towards a date with misery when playing this, but the reality is that it isn’t that dark and ominous at all. The overall atmosphere is definitely not one of pain and sorrow despite telling titles like When Colors Fade Away, All My Sorrow and Crossing The River Turmoil. The at times overwhelming melancholy and the slow, lingering sound that is present in many of the songs unmistakably classifies this as doom, yet there’s something to this one that lightens the atmosphere, giving it a more dreamy, mysterious feel to it rather than a gloomy one. Of course Eric’s one-of-a-kind voice and vocal style is a huge contributor to this, but it’s not just that. There’s a certain frivolity in the song structures that amplifies the effect of those vocals, creating said atmosphere. So approaching this as a pure doom release wouldn’t be right nor do this piece of work justice. When Colors Fade Away consists of multi-layered, well-composed songs with an emphasis on guitar work, but with enough room for the rhythm section to grab their moments of fame. All songs are built around the vocal lines that are fittingly unfitting the rhythm, as if they are an entity of their own. Despite the way this might sound it does work out very well. Eric’s voice is a beacon of rest, vaguely reminding me of a pleasantly creaking old door. Music-wise there’s quite a lot to discover, with various more or less subtle influences from other genres. A good example are the bluesy influences that can be detected here and there, specifically in Afternow, but Black Sabbath certainly put its mark on the music as well.

Concluding it’s safe to say that this release will appeal to a wide audience. It has the dark elements of a doom album, the more heavy pieces to please the metal oriented fans and the frivolity to keep the atmosphere from becoming too sad and dismal. The strongly guitar based compositions are plenty varied to keep you focused and avoid boredom and the vocal lines add that extra special something, not in the last place due to the timbre of Eric’s voice. Despite the fact they replaced all but one of their members for their second release Blackfinger managed to avoid that being an issue and deliver a great album that is well worth a thorough listening-to.

Written by Henric van Essen

Check part 12 of Promoting Bands, in which we already mentioned Blackfinger, here.

Blackfinger Official Website
Blackfinger Facebook

Thursday, September 14, 2017

Review: Hexed - Exhaling Life


After a period without writing I am thrilled to review this very good EP from new and upcoming band Hexed, titled Exhaling Life. The EP consists of 3 songs, beginning with the heavy title track. From the get-go, we are greeted by a typical symphonic keyboard riff and some heavy-duty guitars. Not long after that vocalist Tina Gunnarsson enters with her mighty strong vocals. Her voice is lower than many other metal bands in the symphonic genre and thank god for that! It brings a fresh and unique sound to this band and this is the case for all 3 songs on the EP. The vocals really bring this band to another level. So much so that the band is different enough from everything else I listen to in this genre. The male vocals from guest singer Thomas Vikström on the title track match very well.

In the second song Forsaken Tina Gunnarsson really showcases her capabilities. In an almost banshee-like manner she screams ‘forsaken’ and the song begins. The vocals in the song strongly resemble those of Charlotte Wessels (Delain) until the moment Tina Gunnarssons’ voice reaches its highest point. At that moment she does something unique with her voice, something you’ll want to hear more and more.

That’s actually the only critical note on this EP, instrumentally it is all a bit on the safe side. However, this is partly rectified in the last song Lightyears Away, a song where everything from the previous tracks comes together and you can actually hear how great the potential of this band really is.

Written by Glenn van der Heijden

Hexed Official Website
Hexed Facebook
Hexed Twitter

Wednesday, September 13, 2017

Review: Myrkur - Mareridt


From the very first second I heard Myrkur, which was when her self-titled debut EP was released, I immediately loved it. This is some really beautiful, intense music. After this self-titled EP, her debut full-length M was released in 2015, followed by Mausoleum, a very nice live album recorded in the Emanuel Vigeland Mausoleum in Oslo, Norway. Now it's time for Myrkur's next full-length album, titled Mareridt, being released through Relapse Records on September 15th.

Mareridt, Danish for nightmare, revolves around the nightmares of Amalie Bruun, the mastermind of Myrkur. Instead of shoving them away, she started listening to these nightmares, to make songs of them.

Right from the start of Mareridt, in the title-track, you can hear that Amalie learned kulning, a Swedish traditional cow herding call, which sounds really beautiful. Mareridt, besides the standard instrumentation, also contains some traditional instruments. For example, violin, mandola and nyckelharpa (an ancient Swedish key harp). Another nice, extra addition to this release is that, not only there are the usual drums, but also other forms of percussion.

Amalie's beautiful, clean vocals really shine through on Mareridt, in Danish as well as in English. For example, when you listen to the fourth track Crown which is less heavy, there are almost orchestral vocals over an epic, haunting melody and there's even one sentence in French in it.

Of course, Myrkur's heavier tracks are also present on Mareridt, for example Måneblôt and Elleskudt. In these tracks, it can be heard that Amalie, besides her beautiful clean singing and the recently learned kulning, can also still bring a very intense scream. The end of Elleskudt, the fifth track of Mareridt, let’s us clearly hear a nightmarish vibe, of which you almost get chills.

Funeral gives us a collaboration between Myrkur and Chelsea Wolfe, which is absolutely a very nice combination! She also appears on the bonus track Kvindelil.

Mareridt ends with Børnehjem, which is more of a spoken word outro, but not just a normal spoken word outro. Børnehjem has a very haunting vibe with spoken words from a demon-like voice. A perfect ending for a perfect album.

Myrkur releases a real masterpiece with Mareridt. I was curious whether or not Mareridt could surpass all earlier released beautiful music of Myrkur, but it sure did. Very recommended!

Written by Tim van Velthuysen

You can also check part 2 of Promoting Bands in which we mentioned Myrkur here, and our live review of Myrkur and Deafheaven here.

Myrkur Official Website
Myrkur Facebook

Monday, September 11, 2017

Review: Pig's Blood - Pig's Blood


US death metallers Pig’s Blood released their first, self-titled full-length in June this year. Let’s give it a spin!

Pig’s Blood are out for death and mayhem, which you not only can tell from their band photo or their stage names, but also right away by listening to their music: it’s brutal death metal with some black metal influences. The songs are sometimes faster (like e.g. on Torches Of War And Retribution or The Age Of Endless War), and sometimes very slow, even doom-like (like Taste The Fucking Poison). The faster ones are then also the ones who stand out for me amongst the 10 tracks, this is brutal death metal as it should be!

In conclusion: Pig’s Blood toy around with an image of total savagery, starting from the art cover and band photo and ending with the stage and track names. In the beginning, they also nicely translate that into their sound, and there are a few fast tracks that give you that feeling as well, but, unfortunately, the majority is too slow and too alike to really capture the listener. Still, the guys are good musicians and the record is well-produced, so if you’re a fan of blackened death, give these guys a go. 6/10.

Written by Julia Obenauer

Pig's Blood Facebook

Saturday, September 9, 2017

Review: Nephren-Ka - La Grande Guerre De L'Epice


French brutal death metal quartet Nephren-Ka is around since 2006. Since then, the guys have released two records, entitled Revenge And Supremacy and The Fall of Omnius. Their third one, La Grande Guerre De L’Epice, is going to be released on October 13th. I had the chance to listen to it already, and here’s what you can expect:

It becomes obvious from the first second of Watch And Learn that Nephren-Ka nowadays not only settle within the brutal death metal genre, but also incorporate a fair amount of black metal into their sound. The grunts remind me from time to time of Aborted, for instance on the records second track, Plan To Master The Universe. The Demise Of Ix makes it perfectly clear that the guys do not stop at one genre to blend into the death metal sound, but also take some quality thrash metal into the mix. That all blends into a somewhat trademark sound of the guys, while some influences like the aforementioned Aborted, but also NILE (check out Idar Fen Adijica for that) can still be perceived. The total of 9 tracks are very varied and the guys are great musicians, so that you, as listener, will never feel bored. Also to mention is that La Grande Guerre De L’Epice is actually a concept album, taking the ideas for the lyrics from the Dune books by Frank Herbert. Nice plus: some of them are in Nephren-Ka’s native language, French – surely a rare thing in the genre!

In conclusion: the album is very well done in every way! It comprises a total of 10 songs: 9 from the band itself and one very nice cover of Candlemass’ Mirror Mirror. Throughout them all, Nephren-Ka are able to keep the listener engaged by incorporating different musical styles in the mix. La Grande Guerre De L’Epice thus comes highly recommended. 9.5/10.

Written by Julia Obenauer

Nephren-Ka Facebook

Thursday, September 7, 2017

Review: Warship - The Second Wave


Warship is a 3-man classic heavy metal outfit from Athens, Greece that has been around since 2003, although the first signs of life date back even further, to 1999 to be exact. Build on the remnants of a band called Kokkalo by Captain Foris Ntrikos, who plays the guitar, the current line-up is completed by Mister Kostas Emmanuilidis on bass guitar and Mister Dimitrios Bechrakis on drums. The vocals are courtesy of the Captain himself. However, judging by the impressive list of past members, their line-up has been all but stable, so it could very well be this has changed since I wrote this. Such a big turnover of personnel almost always has a substantial impact on consistency and productivity of a band, and Warship seems no exception to that rule, at least where productivity is concerned. It might not be the only reason of why Warship’s discography to date is limited to two demos and one full-length, but I have no doubt it must have had at least some influence. As far as consistency goes I have no idea, because up until today I have been completely oblivious to Warship’s existence. Time for an introduction, I’d say. The list of bands that in whatever way have had their influence on their music seems promising, but due to the sheer length and diversity of its contents, ranging from the Beatles to Sepultura, I doubt it will be of any help in advance. That is probably for the best though, allowing me to taste Warship’s vision on classic heavy metal completely unprejudiced.

Well, the first taste is a sour one. Opener ‘Fly Like An Eagle’ sets a tone I cannot appreciate too much, because apparently the guys forgot to tune the guitar resulting in an almost false sounding, out of tune intro which bass nor drums can compensate for. The Captain adds to the overall misery by displaying his vocal qualities, which are mediocre to say the very least. To top it off the production sounds as if this is a release that has been recorded thirty-something years ago in a shady basement a mile south of hell. The hope that ‘Fly Like An Eagle’ was just a false start and that things will get better quickly goes up in smoke when the second song, called ‘Ready For War’, displays the exact same flaws. Sounding remarkably familiar this song at least proves the roots of Warship lie in the early days of metal, back when bands like Black Sabbath and Motörhead first started to make name for themselves. By the time the next song, ‘Feel The Pain’, is at full throttle it becomes clear all hope that they might still turn things around is forlorn and the reality that this is all there will be dawns on me. Sure enough the entire album, the full 31 minutes spread over eight songs, is filled with the same, simple type of songs with the same flaws. Normally that is more than enough reason to call it a day and discard of the release, but for some reason my mind won’t accept that. I’ll try to explain why.

Despite its more than obvious flaws both production- and performance-wise this release has something that kept me from stepping out after the first two songs. It took me a bit to realize what the reason was, but I finally figured it out. It summons feelings of recognition and melancholy reminiscent to my first steps on the path of metal back in the late seventies and early eighties. Though in no way nearing the quality of those releases, the simple yet effective compositions have a strong resemblance to the music from the aforementioned period which is intensified by the ‘old school’ sound of the production. The basic structure of the songs isn’t all that bad, I might even be persuaded to call them potentially pleasant, easy listening sing-a-longs. There’s no inventiveness whatsoever, nor are they very complicated or exciting, but that is not a bad thing by definition. It all depends on execution and I’m convinced that, had the execution been better, much better actually, this album would have gotten significantly higher rates. From me at least. For now though the best I can do is advising you to consider giving this a spin, with the strong advice to try to listen deeper than the first three or four layers. All is not lost, there’s still hope for Warship, but they definitely have their work cut out for them.

Written by Henric van Essen

Warship Official Website
Warship Facebook
Warship Twitter

Monday, September 4, 2017

Review: Protosequence - Biophagous


This Edmonton, Alberta, Canada band comprised of Jacob Teeple (Bass), Kyle Hunter (Guitar), Joseph McKee (Vocals), Logan Vars (Drums), Parker (Guitar and Vocals), has some good metal stones with this 4 song EP! More and more, the actual musicianship of some of these Death Metal, Djent and other select bands impresses the writer, and the almost Yes-like technical axe-play at 00:48 on ‘Parasitic’ is indicative of greater things. The piano solo at about 3:00 seems a bit contrived (feeling like: thrown in to try hard to SHOW they’re diverse) but a nice bit, surrounded by further Gravocals.

“DFL” is a hammering piece, with complex arrangements and virtuoso playing and an outstanding guitar solo at 2:19 on. A good piece overall but annoying for me after a fashion.

“Shepherd” is unique. Complex and soft, a good showcase for all their musical tools, this is sure to be a concert favourite. The strumming at 2:38 is good mixed with the deftly-mixed and balanced instrumentation of the other elements.

“The Hate Subsides”, angrier than hell, is a well done metal song overall and lunges into prog-rock a-la Trivium for this writer, although not unpleasantly. The drumming at about 1:54 is incredibly amazing and fast, destined to maybe make Modern Drumming magazine.

A good venture!

8/10

Written by Alessandro

Protosequence Facebook
Protosequence Twitter

Sunday, September 3, 2017

Review: Vallenfyre - Fear Those Who Fear Him


UK metallers Vallenfyre have initially developed as an outlet to actively deal with the death of lead singer Greg Mackintosh’s father, but with the great success of the two previous longplayers, “A Fragile King” and “Splinters”, established themselves in the community. On the 2nd of June this year, they released their 3rd album, “Fear Those Who Fear Him” – let’s give it a spin!

“Born To Decay” is a mainly instrumental intro, where only in the beginning we hear “fear those who fear him” a couple of times. “Messiah” kicks off with some brutal death metal drumming, then takes it back a notch only to release its full brutality again when Greg starts to sing. With just 2 minutes of playtime, this track is super intense and an awesome starter. “Degeneration” is less brutal, but still a great track, before we then enter the doom metal field with “An Apathetic Grave”. Very nicely done, as it generates a chilling atmosphere and evokes pictures of death and decay within the listener. After “Nihilist”, being a death metal track again, the sixth track of “Fear Those Who Fear Him”, “Amongst The Filth”, holds a surprise in the beginning in form of more rock and heavy metal tunes, that sometimes remind of Motörhead. About midway through the song this is abandoned though in favor of a more brutal sound. “Kill All Your Masters” is again an in-your-face track, before we can breathe through once again with “The Merciless Tide”, where you can almost feel the water rise due to the bleak, almost depressed atmosphere conveyed by the guys. After this, it’s two more death and one more doom tracks before we end with “Temple Of Rats”. This song combines all the strong points of Vallenfyre and is therefore an epic end to a great album.

In conclusion: as just said, “Fear Those Who Fear Him” is a great album, due to its diversity, the awesome and from time to time bone-chilling atmosphere it creates and the very good production. Fans of death or doom (or both) will love this one! 9.5/10.

Written by Julia Obenauer

Vallenfyre Facebook
Vallenfyre Twitter

Saturday, September 2, 2017

Review: Dead Asylum - Death Always Wins


Dead Asylum, a quartet from Canada, self-released their latest longplayer, entitled „Death Always Wins“, on 2nd of June – so about time to give it a spin and review it!

The cover art, where the reaper hovers over a bleak world driven by money, power and exploitation, sets the tone of the record. The first of the total of eight tracks is “Defiance”, starting right off brutally with aggressive growls and pressing guitars. Next up is the title track, another fast-paced one. Here you start to feel the overall topic of death and destruction, also due to the repetition of the track / album title throughout the song. “Between Me And The Grave” has a slower, midtempo start, but just like the others picks up fast and conveys the brutal death atmosphere very nicely. This is also due to Samantha Landa’s aggressive drumming, which is very impressive. More of that is following in the upcoming tracks “Bury The Living”, “Forgotten Sacrifice” and “Bred To Die”, while being mixed with melodic elements as well. “Welcome” is the most melodic of them all, a midtempo track that still conveys the feeling of death and decay to the listener. The album then ends with “Inmate 666”, which sums up again all the qualities of the record and thus is a great ending.

In conclusion: Dead Asylum released a great record of very good quality sound- and production-wise, and “Death Always Wins” surely comes highly recommended. Let’s hope we hear again soon from them, in the meantime, give this a spin! 9.5/10.

Written by Julia Obenauer

Dead Asylum Official Website
Dead Asylum Facebook
Dead Asylum Twitter